Laura Anne Hawley (
facilitated) wrote in
kore_logs2013-03-31 01:29 pm
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Entry tags:
say you'll be better, i'll keep waiting forever
Who: Laura Hawley and Jesse Pinkman, Jet Star, Clint Barton, and Conrad Achenleck
What: Processing the fact that she just died/walking/making arrows/heart felt chats.
When: Day 56/57
Where: Many, many places.
Warnings: Will update if/as necessary but for now maybe language, potential kissu kissu in some threads.
Notes: Separate threads for separate people, you know the deal. Post-death but pre-event, basically here's what Laura got up to in that 36 hours?
What: Processing the fact that she just died/walking/making arrows/heart felt chats.
When: Day 56/57
Where: Many, many places.
Warnings: Will update if/as necessary but for now maybe language, potential kissu kissu in some threads.
Notes: Separate threads for separate people, you know the deal. Post-death but pre-event, basically here's what Laura got up to in that 36 hours?
Day 56 - Jesse Pinkman - House 13
There's blood all over her shirt still, more than she'd realised at first. Part of her needs it gone right now, but it's been a long day and she's having a hard time logically thinking anything through. Instead of walking into her room, or even finding a new shirt, she just stays at the front door with her back firmly pressed to the back of it, grabbing the hem and rubbing her hand hard against the stain as though that's going to do anything at all.
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Jesse doesn't force it open, just lays his palms flat against the wood and rests his forehead between them, a slow sigh escaping his lips before he speaks. "Laura." A beat, and then, "Open up."
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"Sorry dude, I just had to-" For a second there she manages to flawlessly replicate her usual casual demeanour, but it's in no way sustainable. She trips over a word, her smile falters, and then she just shrugs and steps back. Her arms cross over her chest in a half assed attempt to cover up her shirt, and she tips her head towards her room before turning away. "I need to go...change, or- I don't know. Something."
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Hell, it's fucking with his head and he didn't even have to go through with it.
He's just about to rap his knuckles against the door again when it opens, his hand raised, and he swallows thickly at the sight of all that blood, holds up his hands in placation as he regards how scared she is above all. "Whoa, hey, it's all right. Hey," and he eases his hands towards her, carefully setting them on her shoulders, comforting, but also meaning to try to direct her towards her room. "Let's get you some new clothes. Huh? One step atta time."
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It's enough of a sign that she's still on the verge of a meltdown that she almost wants to push his hands away. Jesse's seen more of her breaking down than most people in her life, but that doesn't make her any more comfortable with it. Thinking about pushing him away and actually doing it are two very different things though, and as much as she wants to freak out in solitude she can't quite make herself do it. He's taking the reins, giving some direction when she can't quite manage them herself.
"Okay. ...Okay, yeah." There's a small nod, and then another with a little more conviction. New clothes are definitely the first item on the list. Then maybe she'll burn the ones she's currently wearing, because getting rid of any reminder seems like a flawless idea right now. She turns slightly, slow enough that maybe she'll get to keep some of the contact. Turns out that maybe she's almost relying on it a little now.
Late 56/Early 57 - Jet Star - Park
"It used to be really pretty here," she comments with a slight sigh, gesturing vaguely at the broken benches before approaching one that wasn't too bad. She brushes some dirt off of the top of the table, then settles herself down on the edge lightly. With a small shrug, she tips her head towards the spot next to her, and rests her chin in her hand lightly. "Kinda wrecked now. I like it still, though, I guess."
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"... There's beauty in the wrecked things, too," Jet offers, settling down at the spot that Laura indicates. "Sometimes the most broken object, the most broken idea, or the most broken person - sometimes those are the most beautiful."
He stares out at the broken benches. "It's all about perception."
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It's easy to miss how rarely Laura gets unfocused and faraway until it actually happens. When she answers Jet, it's quiet and distracted. She's still gazing over the wrecked park and it's clear that she's not really all there. After a moment she shakes her head, runs her hand over her face slowly and glances at him with a small smile.
"It's never going to go back the way it was before though. They're fixing it up, right?" She shrugs, shoulders hunching as she stares down at her hands. So maybe her metaphors aren't nearly as subtle as Jet's can be. In fact, she's pretty terrible at it. She has pretty much the best excuse for being scatter brained right now, though.
"Even if they all plough through, clean up and rebuild everything, it's not going to be like it used to be."
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"Nothing ever really is," Jet tells her gently. "Rebuilding is a change, for good or for worse. The foundations can be made stronger, though. It's an... evolution. And it can be twice as beautiful when it's finished, given that the proper amount of love is given to the project."
He's not so subtle either, really.
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It's Jet though, and Jet has seen her break down more times now than any member of her family, any close friend back home. Besides, they're all dead now, so who does she have left? Only the friends she's managed to collect here, and who knows how long that will last. That's what tips her over, more than anything. She could have died here, and there's not a soul left on her world who would have missed her. Anyone who would have noticed is stuck here too. She may as well be dead already.
It starts off small, just a sharp intake of breath, and then it's like the flood gates burst. Laura turns sharply, abruptly, and throws her arms around his neck. Pulling Jet in close, she all but buries her face in his shoulder and lets it all out. Her chest heaves, shoulders shake, and she sobs into his shoulder because she can't quite face the idea of looking at him now. Not like this.
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She throws herself into his arms and he holds her close, tightly, letting her cry. She needs to. And Jet has no room or desire to judge. He just stays where he is, rubbing her back gently. "It's okay, mija, sweet. Let it out," Jet says softly, resting his head against hers.
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At least here she has someone to hold her while she cries though, and she's so incredibly thankful for that. Eventually it slows, quiet sobs become quiet sniffs, and she pulls back just a little to look at him. There's so much she needs to say, so many things to thank him for and how is she even supposed to begin to find the words to express just how much every little thing that he does means to her?
She can't, so she doesn't. Instead - and it's such a spur of the moment decision that Laura doesn't even realise she's going to do it until it happens - she leans in, and instead of trying to explain anything at all, she just presses her lips to his and kisses him.
Day 57 - Clint Barton - House 20
...Granted, she still needs to learn how to shoot the damn things, but one step at a time.
Still, determination can get a person a long way, and in Laura's case it gets her into Clint's attic, kicking the door shut behind her as she folds her arms over her chest. She does take a moment to offer a sweet enough smile, but more than anything she's interested in picking up a decent skill here. Gesturing vaguely with one of her hands, she finds the nearest wall to lean on as she looks at him.
"Okay, so. Hi and stuff. Now how do we do this?"
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"You are so bad at knocking." He didn't bother to look up from his mattress and the arrow he was fiddling with. He got his hands on a knife of some sort early on and from then it was pretty easy to widdle his own arrows from the wood he found around. This was his wheelhouse. He still had the arrows he brought with him. These were just backups.
Finally he put the half finished arrow down and stood up from the bed. He pushed his sleeves up and nodded to her. "Go sit and I'll let you finish that one up. I'll give you something to go off of."
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She pushes off the wall and drops down onto the bed though, slumping back lazily as she picks up the half finished arrow, and she inspects it closely for a moment or two before she nods. "Alright, this doesn't look too hard."
She sits up a little straighter, holding out her hand to him quickly and looks around the room for a moment or two. "Knife?"
Late 57/Early 58 - Conrad Achenleck - House 13
"How're you doing? I haven't seen you in like-" A day "...Whatever. You alright?"
She grins, walks over and sits down comfortably on the bed before holding out the mug towards him, and it's about then that she pauses. A frown crosses her face, and she shakes her head a little. "Oh man, I am such an idiot. You can't even drink this, can you? I am...a huge jerk, sorry."
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Conrad is this close to snapping at her when she comes in uninvited, but when he sees that she's brought tea - even though he can't drink it - he sort of wilts a little. That's... nice of her.
At the very least, he looks a lot better than he did before, now that he's gotten blood donation things sorted out with that doctor. He puts down his book and sits up, scratching sheepishly underneath one of the arms of his glasses.
"Oh, no... it's all right." Gnawing at his lip a little, he reaches over and takes the mug anyway. "Thanks. I'm -- fine, how are you?"
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She runs a hand over her face, sighing quietly. The thing is, she doesn't really have a legitimate excuse to be around, bothering him. It's late though, everyone else is probably asleep, but every time she goes to lie down and sleep she sees guns and blood. Clearly the solution here is just not sleeping.
She hovers a moment, then just sits down and blows on her own mug for a moment. Staring down at the rim isn't the same as answering though, so after a moment she shrugs and laughs, tucking her hair back behind her ear. "Yeah, dude. I'm good. Fine. You look less dead, that's pretty good."
She's...really not so good at playing fine.
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"Er, thanks. You look --" Honesty? Oh no, honesty wants to come out. He can't say she looks good. She probably knows what she looks like. He edges on the word for a moment before just tumbling off: "-- ... ter...rible... actually? Is something wrong?"
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Conrad is a vampire. Ergo, Conrad died before too, and now he's alive again. As in, Conrad's been through this before too, and maybe he might be a little better at understanding her situation than most. She holds the mug for a moment, hovering halfway between her lap and her mouth as she weighs up her options, and then she leans forward to set it down. Shifting slightly to face him, there's another awkward moment where she doesn't quite know what to say. How are you supposed to explain something like that, anyway?
Finally she just heaves in a large breath, shakes her head and then blurts out in one quick stream, "IkindofdiedyesterdayandnowI'mback."
And just like that her hands are shaking all over again, because she really, really isn't fine with that.