Entry tags:
( open log ) who's that creepin in the shadows
WHO: Conrad Achenleck and YOU!
WHAT: Scoping out the town, now that it's dark outside.
WHEN: Day 46, nighttime.
WHERE: ERRYWHERE
WARNINGS: Conrad's mouth, will be updated if necessary.
It's been a really, really long day-slash-night-slash-day. Between Hanna's crazy "let's just walk straight into danger" plan, getting attacked by Robocop the Vampire Slayer, waking up in somebody's attic and getting cornered into telling strangers about his condition, Conrad feels like he's going to drop. Not that he can physically feel tired, but mentally, it's a lot to take in at such a nonstop pace. On top of all that, waiting in that unfurnished, dusty attic for the sun to go down without anything to do to occupy himself has been torture.
The sun does go down eventually, though, and as soon as it does, Conrad's headache seems to lessen. He creeps downstairs - not investigating the house too fully, lest he run into his broom-zealous buddy again - and quickly checks out the kitchen and living room - ugh, so not a fan of the basic decor - before heading outside and getting hit with the smell of sea air. Yyyyikes.
He'll be spending the evening like this: hands in his pockets, shoulders hunched up even though he's not cold, wandering the streets and investigating public buildings, maybe talking to himself a little. It distracts from his hunger, anyway; as usual, his sense of smell has amped up - as if he needs help finding food, ugh - but he's saving that last bit of blood until he's found a replacement. Logical action, Conrad.
He's also looking for any sign of a way out, but, well. That's a given.
WHAT: Scoping out the town, now that it's dark outside.
WHEN: Day 46, nighttime.
WHERE: ERRYWHERE
WARNINGS: Conrad's mouth, will be updated if necessary.
It's been a really, really long day-slash-night-slash-day. Between Hanna's crazy "let's just walk straight into danger" plan, getting attacked by Robocop the Vampire Slayer, waking up in somebody's attic and getting cornered into telling strangers about his condition, Conrad feels like he's going to drop. Not that he can physically feel tired, but mentally, it's a lot to take in at such a nonstop pace. On top of all that, waiting in that unfurnished, dusty attic for the sun to go down without anything to do to occupy himself has been torture.
The sun does go down eventually, though, and as soon as it does, Conrad's headache seems to lessen. He creeps downstairs - not investigating the house too fully, lest he run into his broom-zealous buddy again - and quickly checks out the kitchen and living room - ugh, so not a fan of the basic decor - before heading outside and getting hit with the smell of sea air. Yyyyikes.
He'll be spending the evening like this: hands in his pockets, shoulders hunched up even though he's not cold, wandering the streets and investigating public buildings, maybe talking to himself a little. It distracts from his hunger, anyway; as usual, his sense of smell has amped up - as if he needs help finding food, ugh - but he's saving that last bit of blood until he's found a replacement. Logical action, Conrad.
He's also looking for any sign of a way out, but, well. That's a given.
no subject
Not here and not now.
So she watches. She watched Darwin and Jim, instinctively checking the first for loose particles drifting upwards and outwards from the skin with every steady breath (she found none, much to her comfort and joy) and the latter...well. There's good in Jim, valor and other things, but his ego threatens to nearly blot out everything else in it's mindless consumption of reassurance and it makes her want to rouse him from sleep just to shake him a bit for his own good.
River didn't; at least there is that.
There has been a storm brewing at the edge of her consciousness all day, heavy and tasting of overly sharp iodized air - it's a mix of general exhaustion from everyone, concern from a few, personal emotional upheaval (she drags her resistant attention from the eight house with some effort, moving in the opposite direction), forks of green lightning from the treeline earlier and a mental fog not unlike whatever clouded the reality of the woman who thought a flimsy box and a chant would move heaven, earth, tired souls or hardened hearts.
There is a storm on the edge of her consciousness and River needs something to do.
So she sets out in foot to map the lay of the land; to learn the buildings and the stones and the water and everything in between. The woods are best left for daylight, but there's so much else she can manage in moonlight. This is how she comes across Conrad, a will-o-the-wisps if such things were given to poor posture and grumbling monologues - she follows him some fifteen minutes silently, pondering at everything he is and trying to remember the word...drat it all, she just had it on the tip of her tongue.
"Fidgety," she finally manages with some pride, from...essentially directly behind Conrad, so that is bound to be a bit startling isn't it?
no subject
Letting out an undignified squawk, Conrad tries to turn and back up at the same time, and nearly trips over his feet. How he manages to stay upright is a mystery, but he does, and his arms come up protectively while he, wide-eyed, registers who's there. A girl. A little creepy-looking, but a girl.
"Wha -- ! What! What? What the hell?"
no subject
no subject
"Hello, I think you were the one following me! And I wasn't -- skulking." He was totally skulking. "Why are you following me?"
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
And it's not stalking if he's sitting stationary by the fountain. He's gotta pass by sometime. The hideous statue's like a beacon or some shit. Everyone ends up here.
So he lights the cigarette in his mouth and waits, all hunched over and nonchalant. But he's watching. That guy just has to show. He can feel it in his bones.
no subject
no subject
no subject
"H--what, no, I was just... I don't know if admiring is quite the right word." It really isn't. This statue is ugly as hell. "... Looking critically at it? -- What do you want?"
no subject
"Just a nice night for a stroll, man. Don't mean nothin' by it."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
"Hey, Jesse?" It's a deliberate decision to stay quiet, because there's a chance it's not him, and after a moment or two she slips down off the counter, gripping the handle of the mug tightly as she starts to creep towards the direction of said noise. Not the most threatening sight in the world, bright fluffy socks and a mug for a weapon, but it'll have to do. "Who's there, huh?"
no subject
As he gets closer to the kitchen, though, Conrad notices the shadow in the door, and the voice makes him jump --
"G--ah! It's me! It's me."
no subject
"Oh man, I was so close to braining you it wasn't even funny." Yeah. Something like that. She grins though, beckons him through to the kitchen anyway and turns to head back to her favoured spot on the counter. "You want something? I'm gonna make some more coffee maybe, or tea or something. You drink that stuff?"
no subject
Frowning, Conrad wrings a hand over the back of his neck, wishing he could sit and have a coffee with her. She seems nice. He can't even pretend, like he does at home; it would be a waste of coffee and effort.
"No, n--uh, not anymore," he mutters regretfully, eyes on the cupboard doors. "Ah... thank you for the offer, though."
no subject
"So ever since you got all like...vamped out, you can't have regular stuff any more? Not even burgers?" Someone's got to ask the important questions, don't they? Obviously burgers are a pretty big deal to miss out on, and if she's a little sleep deprived then her questions definitely don't have anything to do with that. She frowns for a moment, then just shakes her head. "Kinda sucks, huh."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
So you have like...vampire-smell right? So when this guy pops out from a fucking alley, it shouldn't be a surprise. Might be a little rude for him to stroll up and just start tugging at Conrad's clothes. But, hey. You can probably smell the rude on him too. "What are you from, like...the seventies? Whattaya doin? You look sick, buddy, you gonna getcha cold out here. It's cold out here."
no subject
no subject
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Tonight, he walks. For the first time in two days he's felt like being on his own, so he just goes for it. Jesse heads in the direction of the sea. He likes the water. He likes the sand; there's just something familiar about it.
He probably looks like he's dead with how he's laying flat out in the sand looking up at the sky, with the noise of the waves in his ears. Not that he cares. Say hello, vampire boy.
no subject
He stops, suddenly, and squints down the beach at the dark form there. It's too far up and thick to be seaweed. Is it a person? Are they hurt? He thinks he can smell blood mixed in with the sea air, but --
"Hey! Are you okay?!"
no subject
"What? Yeah, m'fine - oh, shit. You're that guy, hey." The dude who thinks he's Ghoul. He grins, with a two fingered salute. Hey there.
no subject
"It's Conrad." He stops a few feet away, once he's sure that his nose isn't lying. "Okay, you -- who the hell are you?"
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)