Charlie "Lucky" Luciano (
dowhatisays) wrote in
kore_logs2013-05-06 07:55 pm
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Who: Charlie Luciano and Meyer Lanksy
Where: House 19
When: Evening Day 67
What: Sex. Pretty much. Also drunkenness.
It takes a hell of a lot of self control for Charlie to wait until they'd finally ushered Ned out and closed to the door before pouncing. But he does manage and therefore Meyer need to reward him. Obviously. Which is why he's pressing into his back the minute the door is closed, breathing him in. The room may be spinning a little but standing like this he feels pretty damn anchored.
Where: House 19
When: Evening Day 67
What: Sex. Pretty much. Also drunkenness.
It takes a hell of a lot of self control for Charlie to wait until they'd finally ushered Ned out and closed to the door before pouncing. But he does manage and therefore Meyer need to reward him. Obviously. Which is why he's pressing into his back the minute the door is closed, breathing him in. The room may be spinning a little but standing like this he feels pretty damn anchored.
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Kissing is a hell of a lot better than talking, though, especially talking about being stuck here. That's not something to discuss when Charlie's drunk, and maybe it's better left undiscussed altogether. He smiles a little as he lets himself fall back into the bed, admiring Charlie's shirtless form, then running his hands across Charlie's shoulder and down his arms, liking the feeling of the bare skin beneath them.
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Although speaking of, he still has entirely too many clothes on. With Meyer's stretched out under him like this, it only makes sense to start undoing his jeans to pull them the entire way off.
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He can agree that Charlie's wearing too many clothes (to be fair, he usually is, but he can't walk around naked all the time) and he can certainly help tug Charlie's jeans off once Charlie gets them undone. It's strange to him, seeing Charlie dressed so casually, but he doesn't dislike it; it's just another reminder of how different things are here.
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He takes his time drinking in the sight of him, hands roaming to ruck up the sides of his shirt. Every brush of his hands over Meyer's skin is driving him crazy and he wants more of it than he thinks he could ever get.
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He tugs Charlie back down for a kiss, maybe a little too desperately, a little too hungrily. He wants to surround himself in this for awhile, so that there's nothing else. Maybe that's why his grip on the back of Charlie's neck as he kisses him is a little too tight.
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His hands slide down the fraction he needs to start undoing Meyer's fly, hands roaming and touching on every bit of him still, loath to give u this touch for even a moment.
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The nails digging into his hips feel good, grounding somehow, and just like his press back against Charlie's hands is an unconscious movement, so is the way he nips at Charlie's lower lip as they kiss -- not hard, because he has no desire to truly hurt Charlie, but probably hard enough to be noticeable, to sting a little.
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It's a strange pace they've set here. It's still as passionate as before, but the frenzy of earlier has mellowed into something deeper, more intimate. He's almost as close to Meyer as he can get, pressing into him with all of his body. It's an intimacy he's been waiting for all night, too feel close enough to him that no one could tear them apart. It's an irrational thought, he's fully aware. But Charlie never been big no rational anyway.
He shimmies Meyer's pants and underwear down, then breaks away just long enough to pull his shirt off over his head. All their bare skin pressing against each other feels amazing, and he buries his face in Meyer's chest just to revel in it for a moment.
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When Charlie breaks the kiss to press his face into his chest, Meyer lifts a hand to run it lazily through Charlie's hair. Say what you will about being stuck here, but there are a couple unexpected benefits, like the fact that Charlie's curls are freer and thus, as he's demonstrating now, far easier to run his fingers through and tug at a little.
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He lets his laugh morph into a kiss, pressed in the centre of Meyer's chest. He lets his mouth wander, mapping all the glorious skin available to him. He gets teasingly low before making his way back up, dipping his tongue into the hollow at the back of Meyer's throat.
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At the same time, he can relish those kisses, lifting his hips a little more, offering Charlie more access to his bare skin, and then laughing when Charlie moves back up his body rather than kissing even lower, as he might have expected. Charlie's mouth and tongue feels good at his throat, and he tilts his head to the side slightly, showing more of his neck. He finds it a little funny -- in a dark way, maybe -- that he's baring his neck so invitingly to Charlie when, until recently, he'd been a vampire and very much more interested in the necks of others.
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Rather than kissing him there, he bites down on Meyer's throat, starting low at the base and moving up to nibble on his jawline. He can feel the prickle of stubble against his tongue, strange and not unpleasant.
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This is better, though, with both of them back to normal, and with Charlie's teeth on his throat like that. His quiet groan and the way he tilts his head more, exposing all of his jawline, might encourage Charlie to bite a little harder, even if Charlie does have to contend with that stubble growing there -- he hasn't been as committed to shaving as he had been back home, and he vaguely wonders if the five o'clock shadow he's now sporting looks ridiculous.
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"How much do you want me to suck you off right now?" He probably knows how much. But damn if it isn't fun making Meyer say it.
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"Dammit, Charlie, you can tell how much," he says, emphasizing his statement with a roll of his hips that presses his arousal more firmly against Charlie's hand. That should probably answer the question sufficiently.
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He knows Charlie's trying to get him to say more, to ask for more, but he stubbornly refuses, simply digging his nails into Charlie's back as he tries to get him to move his hand through force of will alone.
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He keeps kissing his way downwards, slowly, stopping to lavish particular attention on his nipples, and the outline of muscles under his skin. Hand staying firmly where it is, of course.
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He's mostly quiet as Charlie moves lower, but the little shiver he gives and the goosebumps that rise to his skin as Charlie pays attention to his nipples and his muscles speak for themselves. Although he'd generally like to keep those muscles as hidden as possible, he can't deny how good it feels when Charlie touches or kisses them.
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He kisses his way down to the base of Meyer's cock, pressing more wet-open mouthed kisses there. Finally he moves his hand slowly, giving him room to lick up the shaft as slow as he can manage.
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He can't seem to decide whether to shut his eyes or whether to keep his eyes fixed on Charlie, watching him as he licks him, so he settles for looking down at him with half-lidded eyes, unable to resist tangling his fingers in Charlie's hair again. Can you really blame him? It's right there, and so tempting.
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He licks his lips before lowering himself slowly over Meyer's cock, taking his time to go good and slow until he's almost down to the root, breathing hard through his nose .
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Still, his willpower always wins over his physical instincts, and he manages to keep his hips still, not thrusting into Charlie's mouth as he might like to. That doesn't mean his grip doesn't tighten a little on Charlie's hair, though, even as he struggles to keep himself quiet. He's never liked to sound like he's out of control, and the only thing liable to come out his mouth at this point is a string of swearwords, anyway. Better to keep his mouth shut entirely, and just focus on the feeling.
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But what's even better is making Meyer lose it completely, so he doesn't wait long until he starts a steady rhythm, hand curls firming around Meyer's hips as he goes.
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Losing it completely, though, that's a tall order -- but one he's certainly willing to have Charlie try to accomplish. He squirms under Charlie's hands a little, responding to that steady rhythm, finally allowing his eyes to slide shut so all he's concentrating on is how damn good Charlie's mouth feels and how damn good Charlie's hair feels underneath his fingers. He's trying hard not to pull his hair too hard, but that's almost as difficult as staying calm at this point.
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and then it's morning because why not
Re: Because that's how we roll yo
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