Entry tags:
→ never once has any man I've met been able to love,
Who: Charles Xavier ( O P E N )
What: What do you mean normal people don't deal with their problems via alcohol? AKA the British are repressed.
When: Day 68 ( Evening )
Where: The bar and then stumbling back to House 8. Pick your poison/location.
Warnings: Overly obnoxious use of 60s slang. Probably a fair bit of swearing ( British wearing so you probably won't be too scandalised ). Excessive feeling for a man with too many teeth.
It's not as though he weren't expecting it. Charles knew. The minute he opened his mouth the world shifted, lines were drawn, pieces set. And the thing is, the thing is, that he's so constantly aware of Erik that he saw how this would play out before it did. But could he have stayed quiet? Could he have pretended that he was something he's not any longer. Because gone are the days where he could fool himself that he was just the vaguely daft bumbling professor. He is capable of being as terrible as those he fights against and that had set something cold into his bones.
My name is Charles Xavier and I am a mutant.
You have every right to be afraid of me.
So he'd slipped away from the library and from Erik's dark but ever watchful gaze. He'd walked at first, feet carrying him round and round the cape as though he could simply tire himself out enough to not think. How he ends up by the bar is a conundrum. Why he goes inside is less so. Charles has always been a great advocate of drowning the problem until it goes away. He does almost feels guilty liberating a dusty bottle of something dubious but to hell with guilt. If he's going to be hung for anything it won't be because he's got a vague ambition towards alcoholism. So he drinks amidst the dusty chairs and thinks about his expansive cabinet at home and the steel in Erik's blue eyes.
He's so tired of being old. He's tired of being responsible.
What: What do you mean normal people don't deal with their problems via alcohol? AKA the British are repressed.
When: Day 68 ( Evening )
Where: The bar and then stumbling back to House 8. Pick your poison/location.
Warnings: Overly obnoxious use of 60s slang. Probably a fair bit of swearing ( British wearing so you probably won't be too scandalised ). Excessive feeling for a man with too many teeth.
It's not as though he weren't expecting it. Charles knew. The minute he opened his mouth the world shifted, lines were drawn, pieces set. And the thing is, the thing is, that he's so constantly aware of Erik that he saw how this would play out before it did. But could he have stayed quiet? Could he have pretended that he was something he's not any longer. Because gone are the days where he could fool himself that he was just the vaguely daft bumbling professor. He is capable of being as terrible as those he fights against and that had set something cold into his bones.
My name is Charles Xavier and I am a mutant.
You have every right to be afraid of me.
So he'd slipped away from the library and from Erik's dark but ever watchful gaze. He'd walked at first, feet carrying him round and round the cape as though he could simply tire himself out enough to not think. How he ends up by the bar is a conundrum. Why he goes inside is less so. Charles has always been a great advocate of drowning the problem until it goes away. He does almost feels guilty liberating a dusty bottle of something dubious but to hell with guilt. If he's going to be hung for anything it won't be because he's got a vague ambition towards alcoholism. So he drinks amidst the dusty chairs and thinks about his expansive cabinet at home and the steel in Erik's blue eyes.
He's so tired of being old. He's tired of being responsible.

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