Entry tags:
→ never once has any man I've met been able to love,
Who: Charles Xavier ( O P E N )
What: What do you mean normal people don't deal with their problems via alcohol? AKA the British are repressed.
When: Day 68 ( Evening )
Where: The bar and then stumbling back to House 8. Pick your poison/location.
Warnings: Overly obnoxious use of 60s slang. Probably a fair bit of swearing ( British wearing so you probably won't be too scandalised ). Excessive feeling for a man with too many teeth.
It's not as though he weren't expecting it. Charles knew. The minute he opened his mouth the world shifted, lines were drawn, pieces set. And the thing is, the thing is, that he's so constantly aware of Erik that he saw how this would play out before it did. But could he have stayed quiet? Could he have pretended that he was something he's not any longer. Because gone are the days where he could fool himself that he was just the vaguely daft bumbling professor. He is capable of being as terrible as those he fights against and that had set something cold into his bones.
My name is Charles Xavier and I am a mutant.
You have every right to be afraid of me.
So he'd slipped away from the library and from Erik's dark but ever watchful gaze. He'd walked at first, feet carrying him round and round the cape as though he could simply tire himself out enough to not think. How he ends up by the bar is a conundrum. Why he goes inside is less so. Charles has always been a great advocate of drowning the problem until it goes away. He does almost feels guilty liberating a dusty bottle of something dubious but to hell with guilt. If he's going to be hung for anything it won't be because he's got a vague ambition towards alcoholism. So he drinks amidst the dusty chairs and thinks about his expansive cabinet at home and the steel in Erik's blue eyes.
He's so tired of being old. He's tired of being responsible.
What: What do you mean normal people don't deal with their problems via alcohol? AKA the British are repressed.
When: Day 68 ( Evening )
Where: The bar and then stumbling back to House 8. Pick your poison/location.
Warnings: Overly obnoxious use of 60s slang. Probably a fair bit of swearing ( British wearing so you probably won't be too scandalised ). Excessive feeling for a man with too many teeth.
It's not as though he weren't expecting it. Charles knew. The minute he opened his mouth the world shifted, lines were drawn, pieces set. And the thing is, the thing is, that he's so constantly aware of Erik that he saw how this would play out before it did. But could he have stayed quiet? Could he have pretended that he was something he's not any longer. Because gone are the days where he could fool himself that he was just the vaguely daft bumbling professor. He is capable of being as terrible as those he fights against and that had set something cold into his bones.
My name is Charles Xavier and I am a mutant.
You have every right to be afraid of me.
So he'd slipped away from the library and from Erik's dark but ever watchful gaze. He'd walked at first, feet carrying him round and round the cape as though he could simply tire himself out enough to not think. How he ends up by the bar is a conundrum. Why he goes inside is less so. Charles has always been a great advocate of drowning the problem until it goes away. He does almost feels guilty liberating a dusty bottle of something dubious but to hell with guilt. If he's going to be hung for anything it won't be because he's got a vague ambition towards alcoholism. So he drinks amidst the dusty chairs and thinks about his expansive cabinet at home and the steel in Erik's blue eyes.
He's so tired of being old. He's tired of being responsible.

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That scent though, it caught his attention, and with a barely audible sniff he stiffened up and turned to look at the newcomer. It was strange how someone from another reality still had the same basic scent.
"Chuck," He greeted the man. He wouldn't be an easy read. His metal skull made it difficult and the training from both Jean and Xavier himself regarding telepathic defenses would make it even more difficult. But this was Xavier, if the man wanted to he could make Logan prance around believing he was a pretty pony.
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He looks down at the bottle in his hand then up again, a little guiltily, "I'm sorry, I forgot."
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"Yea. Takin' advantage of the free booze until they blow up this place too." They'd had free food before, but that had ended pretty quickly, so he wasn't about to let the replenishing alcohol go to waste.
"Kinda unusual for you," He pointed out, nodding at the bottle in Charles' hand, "Somethin' up?"
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He lifts the bottle to his mouth with mirth written across his features, "He seems rather boring."
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Charles offers a smile, uses the bottle to prop himself up against the table. His cheek rests on the back of his hand, watching Logan carefully. "He doesn't sound like he's very fun, actually. Running a school must take a lot out of him."
At least nobody's told him the truly horrifying bits yet.
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"You can't see yerself doin' that?" He asked curiously, "Could be you're from a completely different reality. Wouldn't be the first time..."
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He pauses, drunken haze of a mind struggling to think of the right words. "I think it's a wonderful idea. Very recently a few young mutants have come to live in my home. Training with them has been an eye-opener. But watching them grow and adjust - I think I'd like that. To offer that to every mutant who needed it. I'm just having difficulties thinking about actually managing it, so to speak."
He takes another long gulp of his drink, a little creased around the eyes in thought, "My sister would certainly enjoy the company though. It's a drafty old house."
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For a while she debates just not. Not poking, not prodding, not bothering. They'll deal. They'll adjust. They'll stop...whatever is making gin-soaked storms brood in here.
That isn't her way, though, to ignore these things. To ignore suffering of he loved ones (this is suffering and Charles is loved), this. River enters the bar and hovers in the shadows, worried and waiting before she pulls up a seat and steals Charles' drink before he can stop her.
She totally slams it. "GAH. Why?!"
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So he leans forward, a consoling hand on her wrist and his mind a soup of half-formed thoughts, "Pernod isn't for everyone, dear. In fact, it should probably be banned for its aftertaste alone."
But it's alcoholic and it's soothing the bruise on his soul, so.
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Because its doubtlessly poison, they way it assaults the nose and burn the throat. What do they see in this stuff, she wonders, but Charles' mind is a haze and maybe she can understand. Sometimes distance is useful. Sometimes River is she, an sometimes she wakes up thinking she's on Serenity but then the unfamiliar thoughts come screaming in and she knows better.
River covers Charles' hand with one of her own before leaning in and kissing him on the cheek. "Thought if it were declared, what can be done, what can't be controlled, that would be met with resigned understanding slim stead of fear but even the truth isn't enough if they're all afraid ...and they are."
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The kiss makes him blink, a slow and soft kind of affection that before now only Raven would have given. He ducks his head, listens to her words carefully, "I knew they would be. They have every right to be."
Because he knows what his ability means, if Charles wanted it he could have the world at his feet. And yet the very thought makes him sick to his stomach. Swallowing down another vile gulp of the drink. "There'll be no fooling anyone now."
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In River's current, opinion, anyway. Not that there isn't a great time and place for inarticulate screaming.
"I didn't know." Because when she got here, she thought that being upfront was the best way. That telling people she may have been the most dangerous person they'd ever encountered would somehow get that fear out and banished from tainting future interactions.
It didn't quite work that way. "But you're stronger than I am."
So why are you sitting here drinking, is the question.
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Because he feels old and young all at once, because Raven isn't here and Erik is, because they fight and yet the man he lives with is the most important thing in the world to him. He rests his cheek in his hand and regards her thoughtfully.
"I've never consciously thought to tell someone beyond when Raven showed up at my door twenty years ago. Often times my hand is forced. I ... rather wish I could have gone on pretending. Perhaps I am a coward."
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This is how River sees it. Knowing evil and losing everything means that evil no longer frightens. "That which holds the greatest power has already done it. There's nothing else to lose, nothing else to risk but disappointment. See? To be unused to that, that isn't cowardice. You want them to be better. To make understanding be trust. It's what you want for everyone."
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He stops, stares at the liquid in the bottle as he turns it in his hands. "I want to make a difference, River. I want the people I care about and those I haven't even met yet to be free and safe and content. But nothing will change."
He takes a deep swallow of the burning liquid, "When I met Erik I thought that things would be different, that together we could make people understand that mutation is not to be feared. But they're right, aren't they? I'm to be feared. No length of kind words and thoughtful speeches can change that."
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She wonders if Erik is at all interested in trying to convince people they aren't dangerous. Charles wants preventative measures, wants to prepare others to understand and let go of fear. "It won't be easy. It won't be simple. People aren't easy or simple."
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She makes a note, today, of the man she'd spoken to over her wrist communicator, Jazz perched on her shoulders around her neck as she walks in. She aims a smile in Charles' direction, eyeing the selection that's available as she steps behind the bar.
"Hello there."
what is Jazz? >.>
"Hello again, settled in?"
His voice is only just starting to shift into deeper, broader turns. When he drinks he loses a little of his clipped English accent.
Sorry - kitty!
"And you?" She raises a teasing eyebrow. "I see you've been at this a while."
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"And I find the place charming, who doesn't love a little dust with their - well, I think it's pernod but it could also be bottled death."
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"Bottled death?" She chuckles. "Is it that bad?"
Meanwhile, she has a swig of her own glass and just barely restrains a wince while her drink burns its way down. This, from a woman who spends most of her free time drinking or thinking about drinking.
"...perhaps it is," Fortescue agrees. "I wonder if you could sell a brand named that."
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He almost laughs, mouth curled up at the corner. "I've had a number of awful drinks in my life and this might just take the cake."
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Charles tends to transform into the kind of student he used to be. Which means while still more mild-mannered than most, his educated and calm demenour slips. So he raises his bottle - absolutely classy - in a toast.
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