Entry tags:
I like to keep my issues drawn
Who: Jesse and OPEN
What: The best way for Jesse Finch to (healthily) get his anxieties out is by drawing and painting. Which means he's out spray painting and mural-ing (and not punching in windows). Feel free to run into him anytime, during any sort of painting!
Where: All over town
When: Day 74
Jesse is finally starting to feel normal again.
He can sleep without six or seven nightmares a night, he feels comfortable in his own bed, he doesn't have to cover the cameras - he feels at ease, and it's nice. It's something he just wants to forget, now. And the best way, he's found, is to draw it out. But today, paper isn't cutting it. He wants a bigger canvas, he wants bigger tools, and he wants more of the feeling he'd gotten when he'd tagged with Pinkman, before.
So he sets out to do that. He looks better than he has, well-fed, in less layers and without the hunched shoulders and anxious expression that's been the norm lately. People will find him all over town, hood pulled up, the sound of spray paint cans being shaken constantly, covering the walls in all sorts of art. Mostly of birds. Because Finch. Get it?
Those around the fountain will find, on a wall, the words Before I Die, I Want To: with a box of broken chalk next to it. Jesse will be nearby, painting something else - he's curious to see the answers.
What: The best way for Jesse Finch to (healthily) get his anxieties out is by drawing and painting. Which means he's out spray painting and mural-ing (and not punching in windows). Feel free to run into him anytime, during any sort of painting!
Where: All over town
When: Day 74
Jesse is finally starting to feel normal again.
He can sleep without six or seven nightmares a night, he feels comfortable in his own bed, he doesn't have to cover the cameras - he feels at ease, and it's nice. It's something he just wants to forget, now. And the best way, he's found, is to draw it out. But today, paper isn't cutting it. He wants a bigger canvas, he wants bigger tools, and he wants more of the feeling he'd gotten when he'd tagged with Pinkman, before.
So he sets out to do that. He looks better than he has, well-fed, in less layers and without the hunched shoulders and anxious expression that's been the norm lately. People will find him all over town, hood pulled up, the sound of spray paint cans being shaken constantly, covering the walls in all sorts of art. Mostly of birds. Because Finch. Get it?
Those around the fountain will find, on a wall, the words Before I Die, I Want To: with a box of broken chalk next to it. Jesse will be nearby, painting something else - he's curious to see the answers.

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"No point in worrying about it. We got bigger problems, bigger things t'deal with." And without looking at Pinkman: "Like you blowing smoke up my ass about me being a good person and insinuating you're a shitty one. Don't think I ain't hearing it, I speak self-deprecation like a second goddamn language."
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And he cuts off short before anything really comes out, bites down hard on his tongue until it hurts and pays some really scrutinous attention to his cigarette again rather than at Finch. 'You don't know me,' it sounds like such a chump response and he's certainly not trying to raise a scene here. Rather, he'd like nothing more in this moment than for this scene to end.
"I ain't startin' a contest here," he decides on instead, rolling his eyes and puffing idly at the cigarette, smoke pooling out of the corner of his mouth. It's not like he's the worst person to exist on the goddamn planet, he's not that much of an idiot to convince himself of that. But he puts himself pretty damn high on the list, and that much is that much. "Waddya want to hear, huh?"
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"You know how many times you helped me, now?" Jesse asks, still not looking at Pinkman as he works. "Three times. Three times, and the last time, y'dropped all the shit you was doing to come over and reassure my stupid fuckin' brain that I weren't actually gonna get eaten by monsters under the couch."
Jesse pauses, finally looking. "You're doing a terrible fuckin' job of convincing me you're bad. Just sayin'."
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He hasn't been honest because he's never honest, not anymore. But it's not like his track record's been terrible here. Well, not with Finch.
Jesse pinches his nose, agitated, shuts his eyes for a moment against the conversation and takes a step back with a hand raised, a universal sign of placation.
"You're, like." And he gestures at him. "My friend. The hell else was I supposed to do?"
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Jesse looks down, shrugs his shoulders. He's quiet, at first.
"Ya know what I do for a living, right? Ya figured it out a while ago."
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He ashes his cigarette, peers at Finch with a bit of a squint, expression unreadable. "I'm good at meth. I'm real good at meth. It's the only thing I am good at."
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"Bullshit. I seen you draw," Jesse says, almost angrily. He hates to be like this, but he will not let Pinkman get away with thinking he's not good at anything. "You're good at makin' me laugh and makin' sure I don't go batshit. And there's other shit too, shit you ain't shown me yet, but I know it's there. You ain't that kind of drug bitch, Pinkman, I know the type."
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His lips press together in a thin line, eyes setting into something firmer. "So what kinda type am I then, huh?"
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He used to be that. He still is that, sometimes. But he doesn't want to see Pinkman go that way, at all.
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And he takes a drag off his cigarette, pointedly, without breaking his eye contact just yet. He's got a number of sarcastic comments lined up; none of them seem good enough. So he just flicks the spent cigarette at the wall, Finch's artwork, lets it skitter and spark at the ground before he takes a few steps back. "Takes one to know one."
He's just going to turn to leave now, waving a hand in the air. "Thanks for the psycho analysis or whatever."
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"No problem," Jesse calls after him, pissy. "Come talk t'me when you're done actin' like a five year old, huh?" Whatever. Be an asshole, Jesse doesn't care, he'll just. Quietly fume and be sad at his wall.