Fun Ghoul (
tooghoulforschool) wrote in
kore_logs2013-06-15 02:38 am
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Entry tags:
You get to feel so guilty, got so much for so little...
Who: Fun Ghoul and OPEN!
Where: Just outside of the town hall
When: Day 80 (backdated)
What: Ghoul is officially the last Killjoy at Kore. Dedication ceremony of the Mailbox for the Dead. This is an open log. Make your own threads to tag each other, or reply to Ghoul. Anything goes.
Warnings: None yet.
That's it. They're gone and they're not coming back. Ghoul's at peace with this now. He knows they're gone, but he's gotta stay. As long as he can, he's gotta stay. And he knows that while he's here, they'll still be alive. Through him. Just like anyone else they've lost since ending up here. Those people are gone, but not forgotten. Not entirely.
The cemetery still feels oddly alien to him. It's just not what they're used to. But Finch helped him. He and finch, they went into town armed with paint and colour and they found a mailbox. Right in front of the town hall. They spent a long time decorating it, just the two of them. Gotta make it bright. Gotta be able to see it from far away.
The mailbox for the dead.
"It's a part of my culture." He says to anyone that asks. "A piece of where I come from. It's a way to remember the ones that are gone without dwellin' on it too much." And he'll smile wistfully, push his hair out of his face, and just stand there, staring at it.
"Anyone can use it." He says solemnly, slipping four envelopes inside. "It's for everyone."
If pressed, he'll answer further. If you want to be alone with your thoughts, he'll leave you to them. Either way, the mailbox is ready.
Where: Just outside of the town hall
When: Day 80 (backdated)
What: Ghoul is officially the last Killjoy at Kore. Dedication ceremony of the Mailbox for the Dead. This is an open log. Make your own threads to tag each other, or reply to Ghoul. Anything goes.
Warnings: None yet.
That's it. They're gone and they're not coming back. Ghoul's at peace with this now. He knows they're gone, but he's gotta stay. As long as he can, he's gotta stay. And he knows that while he's here, they'll still be alive. Through him. Just like anyone else they've lost since ending up here. Those people are gone, but not forgotten. Not entirely.
The cemetery still feels oddly alien to him. It's just not what they're used to. But Finch helped him. He and finch, they went into town armed with paint and colour and they found a mailbox. Right in front of the town hall. They spent a long time decorating it, just the two of them. Gotta make it bright. Gotta be able to see it from far away.
The mailbox for the dead.
"It's a part of my culture." He says to anyone that asks. "A piece of where I come from. It's a way to remember the ones that are gone without dwellin' on it too much." And he'll smile wistfully, push his hair out of his face, and just stand there, staring at it.
"Anyone can use it." He says solemnly, slipping four envelopes inside. "It's for everyone."
If pressed, he'll answer further. If you want to be alone with your thoughts, he'll leave you to them. Either way, the mailbox is ready.
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But what can he say? The thing intrigues him. And he's gotta do right by Finch. It doesn't mean he has to apologize to the guy, doesn't even mean he's gotta like him. But he's gotta do something, alright.
His hands are pressed firmly into his hoodie pockets, his shoulders taut as he approaches - slow and careful steps, like he's making his way towards a caged animal instead of a real live person. He doesn't say anything at first because he doesn't know what to say, just wanders around the mailbox and thumbs at the side of it, takes in all of the artwork. "Ya really mean everyone?" he finally says, an edge of uncertainty to his voice.
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There's no hostility on his part. No vengeful vibes and no aggression. His arms are crossed over his chest but he seems relaxed. Open to the conversation. "Use it how you want. Just don't disrespect. This ain't about me. It's for them." And for Jet.
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Because he's also right about that, that it's not about Ghoul right now. It shouldn't be, anyway. Jesse has a hard time sticking that in his mind right now, not when he's got a million things he wants to say to Ghoul and no fucking clue where to start. "You make somethin' for him?" he finally decides on, and his voice is a little quiet, almost like a kid's. For Jet, he means, even if he doesn't say.
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Ghoul looks down at his feet, nodding a little, "Yeah. Yeah, I did." Something for all of them. Even one for the Girl. Four envelopes. "You should, too. Somethin' sweet like that, he'd be fuckin' tickled. So happy, so proud. Do it. He'd like it."
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He looks down with a frown as he does so, fingers spreading agitatedly by his sides. "What's a corpse gotta do with whatever I got to say?"
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"Hey." He says sternly, and then again with a little more intensity and a pointed finger aimed at Jesse's chest, "Hey. Not a corpse, dumbshit. It's what's inside. That's gonna see it. It probably already fuckin' knows, but it's nice to leave a little reminder. Your words'll reach him. Don't gotta believe it, just know it in your heart. He cared about you. Like one of his own, yeah? Like one of us. So you knock off this bullshit and you do it for him." He backs off, hands on his hips as he shrugs, "Or don't. Don't care. Said it before, ain't got nothin' t'do with me. Between you and him."
But you gotta know, Jesse, you have to be able to see that you wouldn't have gotten that stern speech if Ghoul didn't give a shit. If he wasn't sorry about what he tried to make you do. Just hard for him to say the actual words.
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So the guy does give a half a shit, 'else Jesse wouldn't be getting lectured right now. Alright. Fine. He can get that. He's been forgiven for holding a gun to someone's head before, that's okay - well, no, it's not okay, it's not okay at all - he almost fucking killed the guy and that's so many degrees of decisively not good - but it's Ghoul's prerogative what he wants to do here and Jesse will go with that.
But that doesn't mean his argument's done, and he shrugs again, a little more sharply than before. "I barely even knew the guy a couple months. One, maybe, even. Guy might'a liked me plenty but I ain't no fuckin' Killjoy." He couldn't accept that. He hadn't earned it. All he'd done was disappoint Jet in the time they'd known each other and he sure as hell wasn't continuing with a bang-up job of being an upstanding citizen.
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Or maybe he is. Can't tell anymore. Hard to know for sure.
Point is, you gotta know when to shoot and when to run. Jesse has that instinct. Ghoul can tell.
"Don't matter how long you knew him. We don't get much time where we're from. Ain't how long, it's how much. What you know 'bout a person. What you feel. Stop fightin' it and accept he was there for you. Woulda been there. Still there now somehow." Ghoul can feel that. Spaceman's gone, but he's still with him. Not that far away, never too far.
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He's not wrong. Jet's gone, that much is true. And it's not like Jesse is so mushy or so open-minded to believe the guy's still watching over him or some shit, spirit remaining and all that crap, but he misses him. God, he misses him. He doesn't say as much. But then again, it's awful hard not to assume the worst. There's only two choices here, and either the docs got him or he went back home, back home where Jet told him himself, he's dead there, got shot, and Jesse really doesn't know which option he prefers out of the two.
He'd like to believe Jet would've been missing him at least half as much as he was missing Jet, but sometimes he's not sure he buys it. He was a hassle then and he's a hassle now.
"The hell am I supposed to say? 'Yo, man, hope you're havin' fun kickin' the bucket, really wish you were back here and good and kidnapped, thanks-'" And he hesitates before this last part, gestures vaguely with a hand at nothing in particular. "'Thanks for noticin''?"
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"Yeah, that's it. All you gotta say. I can't tell you what to write, Dustup. Gotta come from you. Write what you feel." He's not looking away, Jesse, he's gonna stare at you until you stare back. "It helps." Easier than talking.
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Whatever. Right now, he just wants a fucking cigarette all over again.
"Dustup," he says instead, with barely a pause in between thoughts. It's blankly, and almost a question.
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... And then he smirks. And snorts. And smiles real wide. "Yeah. That's you. Suits you." Better than specifying Jesses all the time. "Just go with it. It works."
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"A dustup. Brawl. Fight. Argument. Motherfuckin' fisticuffs. Go down to the bar, get in a dustup, come home with a black eye or worse." Another point and a nod in Jesse's direction in case it wasn't clear the first time, "That's you."
And, believe it or not, it's said... with something bordering on admiration. Because it takes one hell of a punch to take Ghoul out. Pinkman came real close.
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Though he's still not sure what he's more ashamed on otherwise, if it's pulling the gun on him in the first place, or not having the balls to pull the trigger.
"Whatever. I can dig it."
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He scratches at the back of his head, looking anywhere but Jesse's face. "Should probably... apologize. For goadin' you on. M'not okay with what happened." With him and Pinkman or him and Finch. "Just want you to know I'm tryin'. To fix it for him. And if you ever need it, I'm gonna watch out for you." Because it's what Jet would have wanted. He doesn't have to accept, but it's there. On the table. If Jesse wants it.
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That's all very cavalier and all, but he doesn't really care how Ghoul regards him, not right now. That's not what's most important to him here, and that's gotta be Finch. Finch and Ghoul and all the mess that entails, doesn't even know where to start there and so he just takes another careful step in towards Ghoul, beginnings of a frown on his face.
"How're you gonna put it right by him, huh?" What's that even going to be? How does he fix that? How does he even begin to fix- "Cuz, I mean, that's on you now. Far as I'm concerned, you don't even got other priorities."
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"No one's askin'. Why someone gotta ask? Just offered. Fuck." Bite his damn head off, why dontcha? Trying to offer a fucking olive branch and he's just spitting right in his face. But Ghoul doesn't back away. Doesn't move back OR forward. Stands his ground. Stays put.
"Don't know yet. Been tryin' t'figure that shit out since I got back to normal, but I'll figure somethin' so--" The 'back the fuck off' gets stuck in his throat and he just lets it go. "So lemme figure. Not so fuckin' easy, okay?"
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But he's not, and yeah, Jesse's got a temper. Jesse's having an awful hard time looking past that temper when it comes to Ghoul, but admittedly he's not trying incredibly hard yet.
He shrugs a shoulder, furrows his eyebrows at Ghoul - a bit dangerously when there's almost that implication there, the bit of a snappy tone in his voice, but it wanes. "Yeah, well, you did kinda kill someone," he says flatly, wetting his lips and watching Ghoul with a bit of a deadpan expression. "Last I checked, it ain't supposed to be easy for you."
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Instead, his hand shoots out much like the last time, going for his throat and slamming him back up against the mailbox. Aw, baby, did that hurt? Good. He gets up in Pinkman's face, slowly squeezing that throat and keeping him pinned. Stay put, motherfucker, he's got something to say to you.
"Finch wasn't the first. And he won't be the last. I killed a lotta people 'fore I got here, and I'm probably gonna kill more before I leave. Can't help that. No remorse for that shit. But him? That one I felt. You know why?" Still conscious, Jesse? Is this getting through? "Because that one wasn't my call. That wasn't my decision. When I kill someone, I got a damn good reason, but that? Senseless bullshit. And I know what he's been through better than you ever will. So I can fix it. I will fix it. And you are gonna shut your fuckin' mouth about lest I shut it up for you. Got it?"
He doesn't wait for an answer. He applies a little more pressure before pulling Jesse up and slamming him back down again against the metal. Drive the point home. Make it stick. Sorry, Jet. He tried.
And now he's leaving. Enjoy the fucking view. Ghoul's gone.
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A half of a choked sound leaves between clenched teeth and then nothing, he can't talk, he can't breathe, he can't anything but throw his hands out and push into Ghoul's chest as hard as he can. It's not easy to get leverage when they're this close and, short as he is, the guy's built like a tank; nothing happens. Between that and the few sparkles starting to ebb into his vision, he panics.
Only half the words are even sinking in, he's too focused on the fingers tight into his skin, and he sinks a few punches into Ghoul's side at first - those are focused. It's just about the time when Ghoul's starting to wrap up when these black cloudy edges start to crawl their way in from Jesse's sides when he gives a bit of a last-ditch effort, leaves a trail of nail marks on Ghoul's own throat, there's that last final squeeze and then-
It's done, he's walking away. Jesse slides down the mailbox, and whatever rebuttal he might have and could have spit back is left by the wayside, with him shaking and gasping on all fours in the grass.
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Jesse looks to Ghoul, and chews at his bottom lip a little anxiously. A beat, and then, quietly: "I miss home."
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"... Me too." As bad as it was, it was home. He had his family, he was home. Just gotta keep believing the Girl's okay. He's quiet another moment before he looks back at Jesse, "Much as I don't talk about it, much as I got a reason t'keep my secrets, you got secrets, too, Finch. You don't talk about it, either. Not as open as you think, huh?"
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"It ain't any secret, home," Jesse says lazily, but he is avoiding Ghoul's gaze. "You just never ask."
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He'd never be that intrusive. Hell, it took him weeks to ask Anna anything but what she was called and if she'd give him a kiss on Not-Christmas! Asking? Nah. Not his style. And do you know how fucking difficult it is not to ask when you're a curious fuck like Fun Ghoul?
"You should just tell. Hey, say it to the mailbox, not me. Go on. I'll plug my ears, yeah?" Look, he's doing it! Covering up his ears and grinning all stupid. Come on, Jesse, look. Don't get all down. He can't handle anymore down.
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"Shaddup," Jesse tells him, but he's got half a grin on his face, reluctantly. "S'boring. Just regular old planet Earth. Nothing to tell, really - I mean, I dunno, maybe it's fascinating t'other people but really, s'just... home. For me."
He shoves his hands back in his pockets. "Used t'travel a lot. Cause of the band, you know? So I miss that, too."
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"Where to? Said you were from California, too, so what else did you see? Other cities? Other countries?" That prospect does have him excited. Something beyond the zones. Untouched by the bombs and radiation. He wants to picture it. That and what California would be like back before it all happened. No Battery City. No BLI. Just sprawling metropolises with individuality, small towns, green... lots of water. People not forced to be happy.
"Don't have to talk if it's gonna bum you the fuck out, but I'd like t'hear. Really would, Finch. Trade you stories." Not something he offers just anyone.
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"From California, yeah. Los Angeles. Was a teenager in Kansas, mostly, though, 'cause that's where my boarding school was." It was a nice place, the little school, and he's got fond enough memories of it. Shrug. "L.A. is busy as fuck. Always something going on there, s'always loud and full of honking cars and people who spit at each other, but there's a shitton of great artists and actors and all these people. Everybody is interesting, there, they all got their stories."
Jesse traces his hand over one of the small tattoos on his arm - a grizzly bear on it's hind legs - as he speaks. "Moved to New York when I was done with California. Even busier. Louder, angrier. Less pot and more cocaine." He sniffs in amusement. "Countries... I dunno, I been to the UK, I been to Japan. All over - we had a world tour the year I signed on, so we went everywhere."
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"Lemme hear more about Japan. Always wanted..." To see it. To go there. No idea if it's even still standing, they don't tell them anything. The idea of an entire country being gone... the whole world... who the fuck knows what's past all that radiation and desolation? No one's been that far. Too dangerous. "You n' Galen? You got to see it all?" Together.
He's trying so hard to stay positive, but there are whispers. Whispers in a voice that was his but wasn't at the same time. Not fair. Why should they-- no, shut the fuck up. He shakes it off. That's bullshit. That's NOT him. Not what he thinks.
"Be nice to see a city all lit up with colour and music. Miss that. A lot. I dunno if I could handle it now, though. Tall towers everywhere, might get me feelin' too cramped. Flat desert, you can see everythin' miles before it's comin' to getcha. Outrun it. Shoot it. Lots of corners in a city." He remembers that much. Places to hide but also places to be trapped.
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"Yeah. New York might not be a great idea for you, yeah? S'real fucking crowded, you can lose somebody in there real fast. Japan's the same, only worse. But there's all these lights and crazy advertisements on the streets, and all sorts of people. The energy there, y'know, it's all proper and hurried and frantic, but it got us pumped."
He rubs at the back of his head with a grin, now. "The boys and I, the roadie boys? We went out drinking one night, got fucked up on sake. It was like an - an acid trip, all I remember's the fuckin' bright lights and colors and getting shouted at in Japanese."
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"Sounds like home." Bright lights, colours, even the shouting in Japanese. Jesse would fit in there. Not just because of the face, he'd make it on his own. He's a survivor. You know... except for that one time. "Desert's a lot like an acid trip, too. A lot like. Everythin's fast and flashy and fluid. Nothin' stays the same. Hard as you fight to keep it, nothin' stays. It's bright. It's loud. Like we gotta be twice as loud to make up for the people not sayin' anythin' at all. Like we gotta be a voice for all of 'em 'cause they won't fuckin' speak."
He's not sure if it's more difficult to talk about this now that everyone that knew is gone, or if it's easier. Because he's just talking to a friend. He doesn't have to keep his guard up. Hell, he hasn't had it up in a while. Ghoul's just not sure what to do with that or how it feels. He can't remember what it was like... to just talk to someone. No masks on, no code words. It's weird as all fuck.
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Galen approaches Ghoul, hands in his pockets, eyes caught by the brightly-coloured monument. He does look up at Ghoul, though, and offer him a little smile.
"Hey. Looks great."
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Galen gets a smile in return as Ghoul nods to him before running a hand through his longer-by-the-damn-day hair. Maybe he should start tying it up.
"Yeah? Thanks. Not just about aesthetics, but it helps. Loud and proud. Expressin' love." And it's a big fuck you to the sterile, cold, harsh white coating everything in the city. Seriously, fuck that shit. "You... gonna play? You really gonna play?" It's really hard to hide his excitement, but he tries. Probably not working too well.
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Anyway.
Galen smiles back, reaches back to pluck at the strings a little. "Yeah, if you still want me to. I figure you guys have this, you got the colour down, but I know music's important, too. And I'm more than happy to deliver." Seriously, he'll play for peanuts, at this point. "Whatever it is, it'll be cooler than any funeral I've ever played."
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Even that random, imperfect sound of the strings sends a jolt right through him. Tugs at something deep inside. It's been so long. Pretty bad they had more access to music in a fucking desert wasteland than they do here. He grins eagerly, no chance of hiding it now.
"'Course I want ya too. Just... just play whatever. Whatever you want. Anything, play anything. Just want them to hear it. Wanna listen for a while." Christen the box. Bless it with music. Bring it to life and fill it with energy so it sparks like a plug and sends the juice to the other side to keep those memories alive and let them feel the electricity way out nowhere.
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Before Galen pulls his guitar from his back, though, he reaches into his back pocket for some folded papers, each one sealed with a little sticker (which he may or may not have stolen from Kenzi). One for dad, one for mom, one for Brad, one for Daphne, and one for Charlotte. He stares at them for a moment, smile faltering just a little.
"Just wish they'd actually get these." He wants to apologize to his friends so badly, sometimes, that it keeps him up at night.
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"Whatever you got to say to 'em, sure they already know." He steps away from the mailbox, giving Galen some room. Giving him some time. Big grin on his face, just smiling from ear to ear. Not at his sadness, not at his loss, no. He's happy this is getting some use. He's happy that he could help. Even just a little. After all the shit he's pulled? After everything he and his crew have done to Galen? This doesn't make up for it, but it's a start.
"Just drop 'em in, Starshine. They'll go where they need to go."
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He lets the door shunk shut again and takes a step back, then runs his hand back through his hair. "Okay. Cool. You do anything special after putting them in?"
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"Or you could do a little fuckin' dance, raise your arms t'the sky, throw your head back and howl. Whatever the fuck you want. No point tellin' someone how to pray or how to mourn, yeah? Just gonna do it their own way anyway. All ways are acceptable." He claps a hand on Galen's shoulder, still smiling. You do what you want, Galen Howard. Don't let anyone tell you otherwise.
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"There's this one group of people in Madagascar," he begins, still digging, "who believe that decomposition is the most important part of death, because once the bodies decompose, the dead get to go to the afterlife. So like -- every seven years, they dig up their dead, wrap them up fresh, and fuckin' -- dance around with them to live music before burying them again." He feels like Ghoul might appreciate that fact.
"Fuck -- found it." He pulls the pick out, settles the guitar back in front of him. "Just think that's pretty cool."