Meyer Lansky (
recognize_an_opportunity) wrote in
kore_logs2013-04-26 05:57 pm
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Entry tags:
Apologies are difficult...
Who: Meyer & Ned
What: Meyer has some apologies to make, given what happened during the week they were all not quite themselves. Apologies, needless to say, are difficult.
When: Forward dated to Day 67
Where: Ned's house.
Warnings: Swearing? Feelings? Definitely awkward apologies.
A very wise -- and very cunning -- man had once told Meyer that knowing when to apologize was more important than being right. It was also more important to apologize at the opportune moment than to simply do as your conscience dictated (if your conscience dictated anything at all.) The apology needed to sound genuine; it had multiple parts, all of which fit together in a specific way: it was a careful balance of humility and grace -- not too subservient, yet not grudging; not overly wordy, but eloquent and to the point.
Yet for everything Arnold Rothstein had taught him about apologies, there was no simple and straightforward phrasing to fall back on when your apology included seeking forgiveness for turning into a vampire and attacking a near stranger. No apology gift seemed to suffice, either. At home he might have offered a bottle of liquor or a wad of cash, but neither of those seemed quite right here.
Lost for a proper script, Meyer felt a little like he had as a child, when he was still learning the complex game of wriggling out of trouble. It was like going in front of an angry tribunal when the victim knew just as well as you did that you were guilty -- except as a child, the tribunal had been his mother, and in this case, the tribunal was Ned.
That was why, as he stood, hat in his hands, in front of Ned's house, he had to take a deep breath. It wasn't guilt that filled him so much as the queasy fear of losing a potential ally, but luckily, that feeling and guilt translated the same on his face: an unsure smile, a furrowed brow, an appropriately contrite expression all around.
He took one more deep breath, and knocked twice on Ned's door.
What: Meyer has some apologies to make, given what happened during the week they were all not quite themselves. Apologies, needless to say, are difficult.
When: Forward dated to Day 67
Where: Ned's house.
Warnings: Swearing? Feelings? Definitely awkward apologies.
A very wise -- and very cunning -- man had once told Meyer that knowing when to apologize was more important than being right. It was also more important to apologize at the opportune moment than to simply do as your conscience dictated (if your conscience dictated anything at all.) The apology needed to sound genuine; it had multiple parts, all of which fit together in a specific way: it was a careful balance of humility and grace -- not too subservient, yet not grudging; not overly wordy, but eloquent and to the point.
Yet for everything Arnold Rothstein had taught him about apologies, there was no simple and straightforward phrasing to fall back on when your apology included seeking forgiveness for turning into a vampire and attacking a near stranger. No apology gift seemed to suffice, either. At home he might have offered a bottle of liquor or a wad of cash, but neither of those seemed quite right here.
Lost for a proper script, Meyer felt a little like he had as a child, when he was still learning the complex game of wriggling out of trouble. It was like going in front of an angry tribunal when the victim knew just as well as you did that you were guilty -- except as a child, the tribunal had been his mother, and in this case, the tribunal was Ned.
That was why, as he stood, hat in his hands, in front of Ned's house, he had to take a deep breath. It wasn't guilt that filled him so much as the queasy fear of losing a potential ally, but luckily, that feeling and guilt translated the same on his face: an unsure smile, a furrowed brow, an appropriately contrite expression all around.
He took one more deep breath, and knocked twice on Ned's door.
no subject
Of course he knows exactly what Ned is doing; it's a diversionary tactic that almost everyone has used at some point, but he doesn't begrudge Ned the desire to do so. Talking about one's powers must be difficult, and in some ways, he imagines, the powers are intensely personal. There are many things he'd never dream of sharing with anyone himself, and Ned has been more open about a topic that clearly makes him somewhat uncomfortable than most people would be.
Besides, he really is interested in what Ned has to teach him, really does want to learn how to cook, partially to keep his hands busy, and partially because he knows one of the surefire ways to keep Charlie out of trouble is to distract him with good food. In fact, he's so serious about learning everything perfectly that he's taking notes in a tiny notebook as Ned speaks, nodding a little. "Can you use any citrus fruit, or does it have to be lemons?"
I'm cobbling info from a million different recipes please do not attempt at home it'd probs be gross
He dodges around Meyer, scooping out the pulp inside the squeezed lemons with a spoon and then, when they are cleaned, slicing the peels into spears. "You just leave it in for the cooking, so it's good not to cut the peel too small. Makes it easier to remove later." He adds the peel to the strawberries, reaches a wooden spoon down from a rack and begins to stir, turning up the heat.
"There's a box of canning jars in the pantry," he nods at the correct door, "Do you mind getting those for me, please?"
What you mean my incredibly thorough notes I was taking won't do me any good
Following Ned's instructions, he goes to the pantry and pulls out the jars for Ned, returning them to him. "Here you go," he replies, trying not to stand too close, but unable to resist the urge to scoot a little closer so that he can look into the pan as Ned begins to stir. "You could probably trade this for something good -- I doubt most people're making their own preserves around here."
Trust Meyer to find ways to look for the profitability in everything. If they'd been somewhere that had a valid currency system, he'd have suggested that Ned sell it, probably for exorbitant sums.
no subject
"There isn't really anything I need."
The only things that he really needs aren't tangible, aren't to be bought with a jar of strawberry preserves. What he needs is a sense of stability. For his friends to stop going missing. For people to stop hurting him. For someone to find some answers about the people keeping them here and ways to get out. He doesn't think any of those are purchasable.
As for material comforts, he'd gotten used to needing very little, to wanting very little. He'd spent so many years saving everything he could, he's gotten out of the habit of thinking about things he could have. Although...
"Except I'd kill for a decent food processor, but I already know I'm out of luck there."
As far as cooking tech is concerned, there isn't going to be anything more complicated than ovens and mason jars, so he's going to just have to make do. He begins filling a large pot with water, explains, "You have to boil the jars, to sterilize them, even before you put any fruit in them. Otherwise it's no good at all." He tries to remember when it was that people started getting a decent idea about bacteria and food safety. Had they gotten there, in the 20s? He isn't sure...
no subject
Of course, there are things that one can't trade for, things that no amount of bargaining will gain you. Maybe all Ned wants is to get out of here; that's the thought that's been preoccupying Meyer's mind almost every waking moment. Though he's put his energy into finding a way to make himself and Charlie more comfortable around here (largely by beginning to form tentative plans for starting up a card game) he doesn't want to be here forever.
"What's a food processor?" He's well aware that to anyone from as far in the future as Ned is, the question is probably ridiculous, but in his world, it's a legitimate one. Despite the awful things that Ned had told him about the future, he finds himself wanting to know more, to absorb all of the knowledge possible, whether it be about technology, world events, or even the mundanities of everyday life.
Watching Ned fill the pot with water, he scribbles down this information; he has a pretty decent idea of food safety, but probably not nearly as much as Ned. Truth be told, as far as he's concerned, he'll eat just about anything -- if someone had given him a jar of preserves and told him the jar hadn't been sterilized first, he'd have eaten it anyway, but because Ned had specifically stated this to be important, he wrote it down nonetheless.
no subject
Ned puts the pot of water over the heat and swings around Meyer again, taking the jars and starting to wash them thoroughly in the sink. He is thinking back, now, to his first conversation with Meyer, when he couldn't imagine there would be people from different times in the same place. It was going to be a steep learning curve, after that. Steeper than either of them had realized.
"So how are you holding up with the whole... magic and monsters are real thing, if you don't mind my asking?" He'd had difficulty believing it himself, and he was arguably a kind of monster himself.
no subject
"I wouldn't've believed it one hundred percent if it hadn't happened to me," he finally says. Sure, there had been people in the town who'd said something about magic, who'd claimed that there were people with impressive powers, that there were monstrous things in the woods, and Ned's confession about being able to raise the dead had been about as magic as it could get, but he hadn't fully accepted that as the only explanation until he'd turned into a vampire. Then, it had been undeniable.
"I guess you're probably used to magic being real, right? With your powers, and all. For me, well, there's nothing like that back home, not unless they're hiding it pretty damn well. If I hadn't been a vampire and everyone around me hadn't been something ridiculous--" including Charlie, who had, apparently, been a dragon -- "I think I would've gone on assuming that there had to be some logical explanation that didn't include magic. Or monsters."
no subject
"After all, people can get good at hiding things, when they need to. No one where I'm from knew about me, or that there were people like me. Everyone went around assuming that magic wasn't real. As far as I could find out, it wasn't, apart from myself. I wasn't exactly going to go around disabusing people of that notion. Hell, if I'd been a little bit more lucky, or a little bit more careful, no one here would know, either."
He puts the last of the mason jars into the water and hands Meyer the wooden spoon, gesturing to the strawberries, which are starting to bubble nicely, "You can take a turn stirring, if you'd like."
"There still may be a logical explanation. Even for magic and monsters. It's just not an explanation we understand, yet."
no subject
He knows all about hiding things, about shutting things away where nobody else can see them. He may not have magic powers, may be normal by all reasonable definitions of the word, but he often doesn't feel normal, not in the more mundane sense. It's a rare day when he shares even a tiny fraction of what's going on in his head; the constantly rushing thoughts, the planning, the calculations he does almost without thinking about every little risk and eventuality. He's used to feeling different, too, but he has to admit, it's not for the same reasons, nor does it have the same potential consequences.
He takes the spoon and begins stirring the strawberries, glad to have something to keep his hands preoccupied. It's difficult to be without a cigarette for the nicotine fix it provides, certainly, but an almost as important part of his addiction revolves around the fact that he likes to have something to do with his hands. Stirring the strawberries keeps that craving down to a dull roar, rather than something that threatens to overpower him. "There may be a logical explanation, but I don't like not understanding things."
That's the most intimate thing he's said about himself all day, but he doesn't expect Ned to see it that way. It seems like an obvious statement -- after all, nobody likes to be left in the dark about something -- but for him, it's not just fear of embarrassment or the desire to be a know-it-all: information can be the difference between life and death, and in a place like this, he thinks it probably is.
no subject
"I'm not really fond of it myself."
He thinks about explaining Charles' theory about mutations to Meyer, but decides against it. Perhaps if Meyer, himself, were looking for answers, he would. But as it is, Ned doesn't see why he would need to know any of that. It's something very different, not understanding something that is deeply personal to others, and not understanding something deeply personal about yourself.
One thing he can help Meyer to understand, small though it may be, is how to make preserves.
"Now," he says, "time for the sugar."
He walks him through the next steps, intermixing bits of explanation for the steps - why to leave extra room in the tops of the jars, why to boil them after they are full and for how long, how long to chill them for once they have been processed. It's a lot to take in, but Meyer has his notepad, and Ned is a patient and experienced teacher.